
New year, same musings on modern life: TV, football, art, leaving… Janus looked forward and back; resolutions were made, largely stuck to so far, and talking of resolutions I really enjoyed the ending (for now) of Squid Game 2.

I also took a school trip to a snowy Chester Zoo and then, talking of endings, Everton sacked Dyche a few hours before we were due to attend a FA cup game. Seeing heroes of yesteryear, Coleman and Baines, in the dugout was another surreal moment in this weird old season and with every passing match the countdown clock ticks towards the end of an era for us all.

Since August, people have been saying their goodbyes and now it feels real as many fans are taking their photos one final time for a lasting memory. I wrote about my personal situation for the excellent Football History Boys site, but I’m happy to admit this Guardian article sums it all up much better than I ever could.

David Moyes brought me many happy memories during his first stint, especially in Europe and at Wembley when I last had a season ticket. Shaking his hand at Fulham was a memorable moment, as was knowing he bought his meat from the butchers’ whose logo I designed, so him coming back is the nice comfort blanket many of us didn’t realise we needed as preparations for the upheaval gather pace.
Away from the football I watched a brilliant documentary by Trudie Styler on Disney+, Posse Ontrare? An Ode to Naples, all about the beautiful, crazy place I fell for in 1994 (actually the bit all about Maradona means there’s some football in there) but aside from the wonderfully articulate Roberto Saviano featuring, the most fascinating bit for me was all about Mussolini and Hitler visiting the city and then the four day uprising which started on 27th September – my birthday!
Called the Four Days of Naples, this was an event in 1943 which – according to Wikipedia – (Italian: Quattro giornate di Napoli) was a significant uprising that occurred from September 27 to September 30, 1943, against Nazi German occupation forces during World War II. This spontaneous revolt by the Neapolitan population was crucial in the resistance against the occupiers, leading to the liberation of Naples just before the arrival of Allied forces on October 1, 1943. I learnt so much from the film about the city and its people, but particularly this moment in its history which I didn’t know much about before.
More notable events at the start of the year included another enjoyable theatre at Lucilla in Crosby, disappointment (again) in the FA Cup and a hugely enjoyable finale for Cobra Kai, meaning I’m looking forward to the new Karate Kid movie.

Half term brought with it a lovely trip home, inspired by The Bay and our children’s new favourite programme 22 Kids And Counting, buying excellent pies from the Radfords (B was particularly thrilled to meet one of them serving in the shop!) and seeing some great street art on the buildings of the resort, then taking E to his new second favourite team, Preston North End, on a chilly Tuesday evening and I sat close to one of my many heroes when I was his age.

As an exciting home improvement project began, evenings were spent stripping walls, packing up whole
rooms then watching myriad series whilst surrounded by ever more boxes and culinary flotsam & jetsam. These varied in quality; I’m not a TV critic, so won’t purport to rate Protection, Castaways, The Flatshare, The Feud (more than apt given our current situation) or This City is Ours (although the latter made me immensely proud of this city and the character of Bonehead as I taught the guy (not all he knows!)) but certainly the most impactful was Adolescence.

Much has been written about this series already, so I’ll keep my thoughts brief. Someone who watched it quicker than we could described it as ‘mesmerising’ and I concurred. I actually thought it visually beautiful, the colours matched so well and the cinematography was Wes Anderson-esque, which is a high accolade from this writer, and the technical mastery using one-shot and drones added to the power of the acting. I didn’t like some of it, particularly the second episode and parts of the third, then I don’t mind admitting that I cried through a lot of the final episode due to the effects on the family of what happened and the parallels with my own. It has made many of us reflect as parents, teachers, people, which can only be a good thing but I’m really not sure where we go from here.

Talking of which, we were fortunate enough to attend the second test event at our beautiful new stadium and a wonderful experience it was too. Confiscated Haribo sweets aside, we loved everything about the afternoon and the place itself; the food, the architecture, seeing so many familiar faces in an awesome new setting and I can’t wait to get to know it better very soon indeed. The tears trickled as the Z Cars siren roared around the blue arena and it started to feel real.

We have to include some art as part of the contractual agreement so I’ll mention here the pride I also felt earlier in the year when asked to contribute to a ‘zine to accompany the brilliant artwork my old friend and collaborator Doug Kerr was working on for the fascinating-sounding ELEKTRA production in London, starring Brie Larsson and Stockard Channing no less. I was honoured to be a part of it and spent my earnings on the family having a lovely Sunday lunch at the newly refurbished Hightown Inn. We were also lucky to enjoy a great Turkish meal at Sultan (South Road) and a great new Greek, Kos Mediterranean, which really made us feel like we were on our holidays.

Despite all the upheaval and stress, it’s actually proved quite a creative start to the year as I was also fortuitous to be involved in a very different project of a book of birds. A chance encounter at ComicCon Liverpool (more of which next time) led to me making acquaintance with a great guy who I grew up watching in Grange Hill and as our friendship grew, he invited me to contribute to a book he was working on and led to me picking up a palette and paintbrush and documenting some lovely feathered friends for him. So far I’ve contributed: John, the fortune telling budgie (above) I met in London fifteen years ago; a snowy owl, born with one wing; a common eider, the largest of all northern hemisphere sea ducks, and a puffin with a mouthful of sprats.

We started, and end, with the leaving of the Old Lady and a lovely exhibition at the Museum of Liverpool simply saying Goodbye to Goodison. I was honoured that the photos were on display so close to my Wombats artwork, in fact the band had recently done a cover of It’s a Grand Old Team on Radio 5 which closed the circle somewhat, but the focus of the pictures were the people around the ground that we will miss the most… I’m so lucky that I’ll see most of them in the new place.

A special day ended with a chance meeting with a new hero, Charly Alcaraz, one of Everton’s most recent signings, walking his dog around Williamson Square – oblivious to E leaning in for a pic but not wanting to draw attention to a quiet guy doing a normal thing – who, despite only being here for three months, will surely already be aware of the history that has gone before him, and the huge change that is getting ever nearer.

Off we go today, probably for the final time.
I’ve agonised over what to wear for a few weeks, took the great advice to buy a disposable camera for the last documentation of a matchday. E insists on kissing the stadium as we leave, I know I’ll be wearing sunglasses even if it’s raining because I’ll be crying too (I’m filling up writing this, so God knows what I’ll be like at full time) at this end of a chapter in the story of the Blues… for me and Elijah, anyway.